The Best Paper Notebooks and Journals

Celebrate National Handwriting Day (I did not make that up) with new notebooks, a journal, or sketchbooks.

Featured in this article

The Best Hardcover Notebook
Leuchtturm1917 Notebook Hardcover Medium A5
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Best Bullet Journal
SeQeS Bullet Dotted A5 Journal
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Best All-in-One Notebook
Traveler's Company Traveler's Notebook
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The Best Pocket Notebook
Field Notes Original Kraft (3-Pack)
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Notebooks to Avoid

Moleskine Classic Notebook: It pains me to do this, because they were my favorite notebook years ago. But I can't recommend the Moleskine anymore. The paper quality has gone terribly downhill, especially at this price. In my testing, there was tons of bleed-through, and writing with a ballpoint pen made the backside feel like Braille. This was my first real notebook in college, and I've got dozens filled on my shelves, but the quality is not what it used to be. All of the notebooks above are better.

What to Look For in a Notebook

Is there such a thing as the best notebook? Probably not. Notebooks are not a one-size-fits-all commodity. If none of these quite tilt your pen, here are some general things to look for in a paper notebook.

Paper quality: High-quality paper will improve your writing experience. That said, what constitutes high-quality paper depends a lot on your writing device. For example, heavy ink pens, like fountain pens, will require thicker paper to avoid ghosting (when the ink soaks through), while coarser paper might be better for sketching with a soft pencil. (Much of this depends on personal preference too.) If you’re mainly jotting notes with a ballpoint pen, pretty much any paper will work.

Size and shape: For writing, I like vertically oriented notebooks, roughly A5 shape, but for sketching and watercolors I prefer landscape-oriented notebooks. I know people who like the exact opposite. You'll have to find out what shape you like, but once you do you can narrow the field considerably. Also keep in mind that if you're carrying a notebook around all day, weight matters. Everyone has their own sweet spot between page count, weight, and size. You'll have to experiment to find what works for you.

Binding style: This might seem obscure, but how a notebook lies when it is open is very important, and how a notebook lies is largely determined by the binding. For example, some people (especially left-handed writers) love lay-flat notebooks because they lie totally flat, making them easier to write in. Other people like spiral binding because you can fold the entire notebook in half, and it's easy to tear out pages. Perfect-bound notebooks (the most common binding, think Moleskine) are much more sturdy than spiral bound but don't lie flat, and it's hard to tear out pages.

Page ruling: There are four common types of ruling: lined, dotted, grid, and none. The ruling is mostly a matter of taste, though I find dot grid essential for some project planning, especially anything involving measurements (like woodworking projects, for instance), so I always have a dot-grid notebook around. Dot grid is also a popular choice for keeping a bullet journal.

Reusability: I've come to think of notebooks as two parts: the cover and the pages. Notebooks with hard covers, like the Leuchtturm1917, combine both in a single package, where softcover notebooks, like Field Notes or Moleskine Cahier notebooks, lend themselves to being slipped into an additional cover. What I like about keeping the two things separate is that my notebook always looks the same. The leather cover never changes, I just keep inserting new notebooks inside. There are covers for Leuchtturm notebooks, so you can do both if you want, but I find this makes the notebooks rather heavy.

How We Tested

The first thing to consider is the paper. Paper ranges from the very heavy and smooth to light but ragged and everything in between. Every notebook we tested seemed different. Even the same weight of paper made by two different production companies can be different. The only real way to know what the paper is like, how much feathering you're going to get (when ink bleeds out from the edges, making blurry lines), is to put pen to paper, which is what we did. Many pens to many papers.

We studied the feathering, watched for ghosting (where the writing is visible from the other side of the page) and, gods forbid, bleeding (where ink actually soaks through to the next sheet). The texture of the paper is also important if you're sketching. Artists refer to this as the toothiness of the paper. The more tooth, the more the paper will hold your charcoal when sketching.

We took notes, doodled scribbles during boring meetings, brainstormed, made plans, even attempted to bullet-journal (sorry, didn't take). We used gel pens, highlighters, fountain pens, ball point pens, micron pens, Copic markers, oil pastels, water colors, charcoal, soft graphite pencils, hard graphite pencils, the best mechanical pencil, erasers, and even white-out for thoroughness. But don't use white-out. Seriously.

We also enlisted some lefties to learn how various notebooks smudged and how comfortable they were for the left-handed among us. The result of all this testing was a cloud of notebook chaos, which we distilled down to these picks and which we believe are the best of each of our use cases. That said, if you think we missed something, drop your favorite in the comments below and we'll check it out for future updates to this guide.